Alien Resurrection is a profound example of strained, nasally congested “good-enough”. They say the best movies always look as though they came together all by themselves. Effortless, and magical. Well, Alien Resurrection looks as though it was very carefully crafted from a set of logarithmic parameters, input into a Movie Calculator, and the results processed by an army of technicians, craftsmen, artists, a French director, and H.R. Giger‘s forgotten royalty checks. In short, it looks deliberate; full of effort, not magical. A formula. A formality. A filmmaking exercise in “good-enough”.
Archive for James Cameron
Alien Resurrection (1997)
Posted in Movie Reviews with tags 1997, Alien, David Fincher, H.R. Giger, horror, James Cameron, Jean-Pierre Jeunet, Ridley Scott, Ron Perlman, sci-fi, Sigourney Weaver, Winona Ryder on March 9, 2011 by filmplanetasylumMetropolis (1927)
Posted in Movie Reviews with tags 1927, Brigitte Helm, California, dystopia, Fritz Lang, german expressionism, James Cameron, robots, sci-fi, Sergei Prokofiev, silent film, Uwe Boll on October 28, 2010 by filmplanetasylumMetropolis is a funny film about funny people doing funny things. Such as, fly Bi-Planes. Create machine hookers. And move obnoxiously large clock hands into various positions to keep the water pressure from exploding nasty water vapor that can cause 3rd degree burns or instant death. Unless you are a robot. Essentially, it mirrors the modern world exactly! What a coincidence. Fritz Lang is a time traveler. Or a witch. Either way, there are only two options: Burn his corpse at the stake, you know, just for the principal of the matter. Or, get drunk and run around naked, stark raving mad, for no good reason, and sit down to watch Metropolis. Drunk. and Naked. Okay, skip the naked part. Let’s just watch Metropolis drunk and theorize on the nature of the time travel device/pagan black magic involved.